2025 台北國際藝術博覽會
2025 Art Taipei

▍地點｜台北世貿一館
▍展位｜加力畫廊 · 展位 𝐄𝟏𝟏
▍展期｜10/25 - 10/28

▍展出藝術家
郭英聲 Ying-Sheng QUO
葉子奇Tzu-Chi YEH
王怡璇Cindy WANG
周珠旺Chu-Wang CHOU
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▍公共藝術展區 - 𝐏𝐀-𝟑
梁任宏 JEN-HUNG LIANG

▍MIT新人推薦特區 - 𝐌𝟎𝟏
蕭力綺 Li Chi HSIAO

▍貴賓預展｜VIP PREVIEW
10/24(四) 15:00-21:00
10/25(五) 11:00-14:00

▍公眾展期｜PUBLIC DAYS
10/25(五) 14:00-19:00
10/26(六) 11:00-19:00
10/27(日) 11:00-19:00
10/28(ㄧ) 11:00-18:00

進入平穩的後疫情時代，加力畫廊於2007年至今悉心經營台灣當代藝術。
疫情過後，人們逐漸省思過往，對照今昔，以嶄新且豐碩的哲思形塑、回應當今多樣面貌。
本次加力畫廊以如今多元創作思維的迸發與復興為主題，邀請孤傲先鋒攝影大師郭英聲、國際知名油畫家葉子奇、義大利童趣雕塑家莎賓娜費洛奇、臺灣精微寫實油畫家周珠旺、擁有豐富的陶瓷創作經驗，同時也從事錄像、角色扮演、互動裝置等行動藝術創作的葉怡利，以不同的媒介探索疫情過後人類思想推動的進程。在寂靜中乍見郭英聲捕捉的生命景象；透過葉子奇的作品，定睛凝視鄉愁的永恆之美；再以莎賓娜費洛奇孩童般的視角，感受以人為本的雕塑；而後踏入周珠旺反璞歸真的自然宇宙；最後悠遊於葉怡利運用陶瓷與積木重組的記憶中的景物。思想的復興，帶來美學上的繁華，如同生命經過疫情千錘百鍊，激盪出滿目琳琅的哲思靈光。

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2024 MIT 得主 — 蕭力綺｜訪談影片

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Moving into the stable era of post-pandemic, InART Space has been devoted to contemporary art in Taiwan since 2007. In the aftermath of the pandemic, people are gradually rethinking the past profoundly, comparing the present with the past, shaping and responding to the diversity of the present-day with brand-new and abundant philosophies. The theme of the exhibition emphasizes ebullition and revival of diversified creative thought nowadays. To explore how the human thought advanced after the epidemic through different mediums, InArt Space brings the art-works of a detached pioneer photographer Ying-Sheng Quo, an internationally renowned oil painting artist Tzu-Chi Yeh, an Italian childlike sculptor Sabrina Ferocci, a Taiwanese fine detailed oil painting artist Chu-Wang Chou, and Yi-Li Yeh, who has extensive experience in ceramic creation, is also engaged in video, role-playing, interactive installations, and other forms of performance art.

We glimpse at the images of life captured by Ying-Sheng Quo, gazing at the eternal beauty of nostalgia through the works of Tzu-Chi Yeh, enjoying the people-oriented sculptures with a playful perspective of Sabrina Ferocci. In the silence, returning to natural universe of Chu-Wang Chou. Finally we leisurely explore the landscapes in Yi-Li Yeh’s memory, reassembled using ceramics and building blocks. It is the harvest of aesthetics that occurs right after the revival of thoughts. After our life forge by the epidemic, the philosophical inspiration sparks and feast our eyes.