杉浦康益《陶的博物誌》2024十週年雙個展 
SUGIURA YASUYOSHI
"Natural History of Ceramic Arts"
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展出時間：2024/11/30(Sat.)-2025/01/12(Sun.)
展出地點：加力畫廊、B.B. Art

自然一直是創作中最深的啟發，土壤的柔軟、 風的流動， 以及花瓣隨光影變化的姿態。
這些微小而瞬息萬變的細節，都讓我看見生命短暫卻充滿力量的本質。對我而言，這不僅是對自然與生命的致敬，更是將元素材料化為能量與永恆的象徵。

百花齊放 
生命多樣性的美

這次於 InArt 與 B.B.ART 雙畫廊的展出，不僅是為紀念與畫廊十年來共同的努力，更是獻給每一名來觀賞的朋友們，能各自盛開在不同的時空中，能從中找到屬於自己的那份感動與共鳴。  

Nature has always been the deepest source of inspiration in my creations. The softness of soil, the flow of wind,and the ever-changing forms of petals under shifting light and shadows--

​these fleeting and delicate details reveal the transient yet powerful essence of life.
For me, this is not only a tribute to nature and life, but also a transformation of elemental materials into symbols of energy and eternity.

百花齊放 or Blooming in Full
The beauty of life’s diversity.

This dual exhibition at InArt and B.B. Art celebrates a decade of shared efforts with these galleries and is dedicated to every visitor. May you find your own moment of blossoming in different times and spaces, and discover a personal sense of resonance and emotion within.

百與花相連的詞語中，有兩個耐人尋味——「百花繚亂」與「百花齊放」。 「百花繚亂」描繪了眾多花卉爭奇鬥豔的景象。當我初次開始創作花卉時，我如繚亂般熱衷於製作更多的花，那是充滿樂趣的時光。花卉的細膩結構與神秘之美深深吸引了我。然而，僅止於此，我無法完全理解花的真諦。花的存在，並非孤立無援，它受外界的影響與相互作用，構成了其複雜的生命。我們觀賞花卉時，目光所及的不僅僅是花朵本身。 自然界中有一個詞「森羅萬象」，它提醒著我們，周遭的一切都在相互作用：光線、風、雨，無不與花卉交織。我們透過自然的光影欣賞花的形態，在風的輕拂下感受花的柔美，而雨露滴落葉片時，彷彿能讀出一種哀愁與深邃。透過這些經驗，我們從花中接收到無數的訊息。 這些訊息，正是承接於「百花齊放」這個詞的意義。「百花齊放」指的是思想與藝術的自由表達，超越框架，找到屬於自己的表現方式。不受拘束，傾注心靈的創作，這才是藝術最純粹的形式。

投入四十餘載歲月於陶與火之間，杉浦康益以《百花齊放》為主題，於 InART Space 與 B.B.ART 同步展出全新系列作品〈陶之岩〉與〈陶之花〉。這次展覽不僅是藝術家在台灣作品規模最大的一次呈現，更是一場陶藝與生命的深刻對話。 杉浦康益創作花朵的方式獨樹一幟，他並非用陶土「塑造」花，而是通過感受每塊陶土的質地與個性，讓其自然延展為獨特的花朵。因此，每朵花都是獨一無二的，都擁有屬於自己的性格。有的盛開嬌嫩，有的純白含蓄，有的呈現枯萎前的深沉黑色，也有些花瓣剝落、不那麼完美，散落滿地，象徵生命在不同階段的多樣姿態。 展覽中央的〈陶之岩〉，象徵長久的存在，與花朵短暫的生命週期形成鮮明對比。在《百花齊放》中，杉浦康益透過無機物的岩石與有機物的花朵，自然且繽紛地點綴於空間之中，呈現他對生命與宇宙觀的深刻思索。

With over four decades of dedication to the interplay between clay and fire, Sugiura Yasuyoshi presents his latest series, Ceramic Rocks and Ceramic Flowers, under the theme Blooming in Full. Exhibited simultaneously at InART Space and B.B.ART, this is the largest display of his works ever showcased in Taiwan, offering a profound dialogue between ceramics and life. Sugiura's approach to crafting flowers is uniquely his own. Instead of "shaping" flowers from clay, he lets each piece of clay reveal its character and individuality, allowing it to naturally evolve into a flower. As a result, each flower is distinct, possessing its own personality—some are delicately blooming, some pure and understated, some display a deep black hue before wilting, and others bear imperfections, with petals scattered on the ground. These variations symbolize the diverse forms of life across different stages. At the center of the exhibition stands Ceramic Rocks, representing enduring existence. Contrasted with the fleeting life cycles of flowers, Blooming in Full features inorganic rocks and organic flowers naturally arranged throughout the space. Together, they embody Sugiura Yasuyoshi's profound exploration of life and his cosmic perspective through art.